Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Engelsche Letterkunde --- Littérature anglaise --- 82 (Marlowe 7.07) --- 82-21

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Hirakawa, Noritoshi --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

7.07 --- Van de Moortel, Joris °1983 (°Oostakker, België) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists-most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and "after" artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts-most notably as it emerged in the pages of October magazine. It challenged authorial sovereignty and aesthetic autonomy and invited readings that opened onto gender, history, and the economic and discursive processes of the art world. This collection gathers writings on Levine from art magazines, exhibition catalogs, and academic journals, spanning much of her career.

Appropriation (Art) --- Appropriation (Art). --- Levine, Sherrie --- Levine, Sherrie. --- Criticism and interpretation. --- United States. --- 7.07 --- Appropriated imagery --- Appropriated images --- Appropriationism (Art) --- Postmodernism --- Imitation in art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

KRIEG, Belgium presents a new publication titled, Vic Sims of the Hollow Gram. This is the first monographic publication on the work of Irish artist Nevan Lahart and it features an autonomous text by Sebastián Gonzalez de Gortari. Laharts artistic practice spans a career of more than twenty years, including numerous monumental projects, full of word plays, (art) historical references, and life as he finds it. In his more recent work, he beckons us to pay attention to alternative theories and their potential to tell us truths that have been obscured in the past for reasons both benign and malevolent.

Lahart, Nevan --- 75.07 --- 7.07 --- Schilderkunst ; schilders A-Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z